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6     <title>The Linux Sampler Project</title>
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113 persson 2033 <div id="mainwindow"><div class="lsbackground"><img name="LinuxSampler" src="gfx/lsbackground.jpg" alt="LinuxSampler"></div>
114 senoner 542
115     <h1><span class="hidden">The LinuxSampler Project</span></h1>
116    
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175 senoner 542 </td><td valign=top width="100%">
176     <div id="contents">
177    
178 schoenebeck 1610 <h2>The Project</h2>
179 senoner 542 <p class="default">
180 schoenebeck 2514 The LinuxSampler project was founded in 2002 with the
181 schoenebeck 1770 goal to produce a free, streaming capable open source pure
182 schoenebeck 2514 software audio sampler with high stability, efficiency and very
183     low latency, providing professional grade features,
184 schoenebeck 1770 comparable to both hardware and commercial Windows/Mac software
185     samplers and to introduce new features not yet available by any
186     other sampler in the world.
187 schoenebeck 1610 </p>
188    
189     <h2>The Engine</h2>
190     <p class="default">
191     <u><b>LinuxSampler</b></u> was designed very modular, especially
192     (and in contrast to other samplers) it was decoupled from any user
193     interface. LinuxSampler itself usually runs as own process in the
194     background of the computer and usually does not show up anything on
195     the screen, or at most it can be launched to show status
196     informations and debug messages in a console window:<br>
197 senoner 542 <br>
198 schoenebeck 1610 <a href="screenshots/ls_0_5_1_console.png">
199     <img src="screenshots/ls_0_5_1_console_preview.png">
200     </a><br>
201 senoner 542 <br>
202 schoenebeck 1610 That means LinuxSampler itself is the "engine" of the sampler, it
203     is the software component which performs all the heavy and time
204     critical computational tasks of handling MIDI events, calculating
205     the audio data and sending the final audio data to your sound
206     card(s). We call LinuxSampler the <i>sampler backend</i>.
207     </p>
208    
209     <h2>The Face(s)</h2>
210     <p class="default">
211     Obviously you need some way to control the sampler. That's where a
212     2nd application comes into game, which we call a
213     <i>sampler frontend</i> application. A frontend is (usually) a
214     graphical application, visible on the screen, providing the user
215     a set of e.g. menus, buttons, sliders, dials, etc. to allow the
216     user to control the sampler in a convenient way. It merely sends
217     the user requests to the sampler engine (LinuxSampler) and in turn
218     shows the engine's status informations on the screen. A frontend
219     does not perform any signal processing tasks, so you can see it as
220     a "face" of the sampler.<br>
221 senoner 542 <br>
222 schoenebeck 1610 For luxury we already provide you two different frontends / "faces"
223     for LinuxSampler:
224     </p>
225     <ul>
226     <li>
227     <u><b>QSampler</b></u> is a light-weight frontend written in
228     C++, using straightforward native graphical controls of the
229     underlying operating system. That way the appearance of
230     QSampler on the screen is very fast and it only consumes very
231     little resources. Due to its utilization of the operating
232     system's common GUI controls, it looks slightly different on
233     every operating system (also dependent of the user's selected
234     theme on his OS):<br>
235     <br>
236     <a href="screenshots/qs_0_2_1_win.jpg">
237     <img src="screenshots/qs_0_2_1_win_preview.jpg">
238     </a>&nbsp;
239 schoenebeck 1612 <a href="screenshots/qs_0_2_1_ubuntu.png">
240 schoenebeck 1610 <img src="screenshots/qs_0_2_1_ubuntu_preview.png">
241     </a><br>
242     <br>
243 schoenebeck 1624 Note however, QSampler does not fully support all features of
244     the sampler engine (LinuxSampler) yet. Most notably the
245     engine's instruments database feature is not yet covered by
246     QSampler. But if you don't need that particular feature,
247     you're certainly fine with QSampler as well.<br>
248     <br>
249 schoenebeck 1610 </li>
250    
251     <li>
252     <u><b>JSampler</b></u> is a full-fledged frontend for
253     LinuxSampler, written in Java and currently comes in two
254     flavors: <b>JSampler "Classic"</b> offers straightforward GUI
255     controls whereas <b>JSampler "Fantasia"</b> provides a modern
256     skin based user interface:<br>
257     <br>
258     <a href="screenshots/fantasia.png"><img src="screenshots/fantasia-preview.png"></a>
259     <br>
260     JSampler supports all features currently available in the
261 schoenebeck 1624 sampler engine (LinuxSampler). Also note that even though
262     JSampler is written in Java and slightly more hungry
263     regarding resources (compared to QSampler), this usually
264     does not have any impact on the audio rendering performance
265     of the sampler, since the engine runs completely independently
266     and with much higher CPU priority than the frontend(s).<br>
267 schoenebeck 1610 </li>
268     </ul>
269     <p class="default">
270     It's completely up to you which frontend to use. You could even use
271     both parallel at the same time for the same sampler engine
272 schoenebeck 1624 instance, really! ;-) You're concerned that your sampler frontend
273     might waste precious resources of your computer? No problem, just
274     setup the sampler session for your needs and then quit the
275     frontend application. The sampler engine doesn't care! It continues
276     to do its job. You need to change something? Start the frontend
277     again (or another frontend) and you see what you expect to see: the
278     current setup and state of the running sampler engine.
279 schoenebeck 1610 </p>
280    
281 schoenebeck 2514 <h2>Sampler Formats</h2>
282 schoenebeck 1610 <p class="default">
283 schoenebeck 2514 Virtual instruments (i.e. pianos, drums, orchestra ensembles) based
284     on sampler software are created and distributed as files, which
285     essentially contain recorded audio samples plus so called
286     <i>articulation informations</i>. The latter are a very important
287     factor to make audio samples assemble a realistic sound of i.e.
288     natural instruments. The are defining when and how exactly
289     the individual audio samples shall be played back and modified by
290     the sampler. So a <i>sampler format</i> is made up of two things:
291     </p>
292     <ol class="default">
293     <li>
294     <b>File format:</b> which defines how audio samples and
295     articulation informations are stored in files exactly.
296     </li>
297     <li><b>Synthesis model:</b> which defines what the sampler sampler
298     can do with audio samples, and how the sampler should interpret
299     the articulation informations stored in files.
300     </i>
301     </ol>
302     <p class="default">
303 schoenebeck 1610 It is planned to support all common sampler formats in
304 schoenebeck 2514 LinuxSampler. At the moment the sampler supports the following
305     three:
306 schoenebeck 1610 </p>
307 schoenebeck 2514 <ol class="default">
308     <li>
309     <b>GigaStudio/GigaSampler Format:</b>
310     First format ever supported by LinuxSampler and hence probably
311     the most mature option in LinuxSampler right now. When we
312     started to develop LinuxSampler back in 2002, we chose to
313     concentrate on this commercial sampler format first, because at
314     that point it was (in our opinion) the most popular and "best"
315     sampler format in regards of quality and features, especially
316     for the synthesis of natural instruments like pianos, brass and
317     powed instruments. Some of the best sounding orchestra
318     libraries were made in this format at that time.<br>
319     <br>
320     In contrast to all those commercial samplers
321     out there who claim to support the GigaStudio/GigaSampler format,
322     we invested many years and a lot of effort to reassemble the original
323     sound of this format as exactly as possible, as it was with the
324     original GigaStudio PC software. Other samplers usually provide
325     only raw sample playback for this format and - if at all - only
326     limited support for its articulations and synthesis model.
327     LinuxSampler however is providing i.e. envelopes and filters
328     with very precise characteristics and accuracy of the original
329     ones used in the original GigaStudio software. We even
330     reassembled the "warty" parts of the format, that is strange
331     aspects of the format. All this just to fulfill one goal:
332     playing back your huge collection of high class .gig instruments with
333     LinuxSampler exactly as they sounded like with GigaStudio!
334     And as of to date there is probably no other sampler out there
335     which does that job better.
336     <br><br>
337     </li>
338     <li>
339     <b>SoundFont Format:</b>
340     Being a very popular sampler format, supported by numerous
341     hardware devices and sampler software products for many years,
342     we also added support for the SoundFont format. However, since
343     this format is fairly old and limited we did not spend as much
344     effort on it than on the other formats. So there is currently
345     not full support for all aspects of this format yet. Be invited
346     to help us on finishing support for this format!
347     <br><br>
348     </li>
349     <li>
350     <b>SFZ Format:</b> Not to be interchanged with the
351     <i>SoundFont</i> format! Even though their names suggest them to
352     be similar, and also being initiated by the same company, the SFZ
353     format does not have much in common with the SoundFont format!
354     The SFZ format is a quite new one, an open format that is also
355     used as basis in many commercial sampler products. It has the
356     potential to become a broad standard format among sampler
357     products. It is extensible for custom features, provides
358     articulation information in human-readable text form and samples
359     are usually stored as separate files along to the articulation
360     files. The latter also allows a variety of audio formats to be
361     used and gives sound designers and their customers various
362     advantages to work with.
363     <br><br>
364     Due to its high potential we recently spent a lot of time in
365     supporting this format in LinuxSampler. A lot of this format is
366     <a href="/sfz/">already supported</a> (v1 and v2) in
367     LinuxSampler, also extensions of commercial samplers, and we
368     continue to evolve support for this format.
369     </li>
370     </ol>
371     <p class="default">
372     Along to these formats, we have been thinking about creating our
373     own, new sampler format from scratch, for providing new sampler
374     features currently not available in any sampler yet. However when
375     we started adding support for SFZ, we realized such features should
376     rather be implemented as extension to the SFZ format.
377     </p>
378 schoenebeck 1610
379 schoenebeck 2514 <h2>Instrument Editors</h2>
380 schoenebeck 1610 <p class="default">
381 schoenebeck 2514 For creating new virtual instruments and for adjusting your
382     existing ones, you may want to use an instrument editor.
383     LinuxSampler was designed decoupled from instrument editors, but
384     provides extensive support for cooperation with instrument editor
385     applications. Especially for the aspect of being able to edit an
386     instrument while playing it in the sampler, and for making all
387     changes audible immediately and without reloading the sounds into
388     sampler.<br>
389     <br>
390     Currently we implemented the following instrument editor
391     application:<br>
392     <br>
393 schoenebeck 1610 <u><b>gigedit</b></u> allows you to edit and create instruments
394 schoenebeck 2514 for the GigaStudio/Gigasampler format, which can be used with LinuxSampler
395     as well as with Tascam's original Gigastudio software. Following our line of
396     modularity we also made this instrument editor an independent
397     application. Because let's face it: every sampler format is
398 schoenebeck 1610 different, so in our opinion it is better to honor the specific
399     features of one format with its own instrument editor application
400     instead of trying to fiddle everything into one single bloated
401     application. So gigedit is our first editor, dedicated to the .gig
402     format:<br>
403 schoenebeck 1404 <br>
404 schoenebeck 1610 <a href="screenshots/gigedit_0_0_3.png"><img src="screenshots/gigedit_0_0_3_preview.jpg"></a>
405     <br>
406     You can use gigedit as stand-alone application or in conjunction
407     with LinuxSampler. For the latter case gigedit installs a plugin
408     into the sampler engine, so the engine (and with it the frontends)
409     knows that gigedit actually exists and can handle the .gig format.
410     So even though we decoupled the sampler's components into
411 schoenebeck 1624 independent applications, they all work seamlessly together.
412     <a href="http://download.linuxsampler.org/doc/gigedit/quickstart/gigedit_quickstart.html#live_editing">
413     Just press the "Edit" button
414     </a> on a channel strip of a frontend and
415 schoenebeck 1610 gigedit will automatically popup on the screen and you're
416     immediately ready to edit your selected instrument, making all your
417     modifications audible in realtime. Even when editing huge
418     instruments of 1GB or more, tweak the instrument with gigedit and
419     immediately hear it while playing on the keyboard at the same time.
420     And the good thing: even with new sampler formats we're going to
421     add soon (and with it new editors), you don't have to remember
422     which instrument you loaded uses which format. Simply click on
423     "Edit" in a frontend and the sampler engine will choose the right
424     instrument editor application for the respective instrument for
425     you.
426 senoner 542 </p>
427    
428 schoenebeck 2514 <h2>Technical Interfaces</h2>
429 schoenebeck 1610 <p class="default">
430     As the components of the sampler are independent applications,
431     there must be a way to let the applications communicate with each
432     other. For this LinuxSampler provides a native C++
433     <a href="http://en.wikipedia.org/wiki/Application_programming_interface">API</a>
434     as well as a network interface using an ASCII based protocol which
435     we call "<a href="http://www.linuxsampler.org/api/draft-linuxsampler-protocol.html" title="LinuxSampler Control Protocol">LSCP</a>"
436     for controlling the sampler engine and managing sampler sessions.
437 schoenebeck 1624 Our frontends support that network interface, which also allows to
438 schoenebeck 1610 control the sampler engine with the GUI frontend(s) remotely from
439     another computer, probably even running a completely different
440 schoenebeck 1624 Operating System. And compared to other remote control solutions,
441     the frontend won't feel sluggish, as the frontend is running on
442     your local machine.<br>
443     <br>
444     You can also configure your computer to automatically start the
445     sampler engine and loading your prefered sampler session without
446     any frontend, simply by using a <i>LSCP session file</i>. How do
447     you get such a "LSCP session file"? Both frontends write LSCP
448     session files for you when you request them to save your current
449     sampler session. And as those LSCP session files are ordinary
450     human readable text files, you can adjust them with any text
451     editor if you want.
452 schoenebeck 1610 </p>
453    
454 schoenebeck 2514 <h2>Compatibility &amp; Cross Platform</h2>
455 schoenebeck 1624 <p class="default">
456     LinuxSampler is available for the most popular operating
457     systems and already supports a variety of audio and MIDI driver
458     systems on each OS. It does not require any special dedicated
459     device drivers from the sound card manufacturers, so you can
460     also use it with cheap consumer cards. Due to its clean design
461     the sampler can be ported to other operating systems and
462     extended for further driver systems with a minimum of effort.
463     So we're prepared for the future!
464     </p>
465    
466 schoenebeck 2514 <h2>Sequencer &amp; DAW Plugin Support</h2>
467 schoenebeck 1610 <p class="default">
468 schoenebeck 2514 The sampler can be run stand alone as well as host plugin in popular
469     sequencer or digital audio workstations like Cubase, Logic, Ardour,
470     QTractor, Reaper and many more. At the moment the sampler supports
471     the host plugin formats VSTi (v2), AudiUnit (AU), DSSI and LV2.<br>
472     <br>
473     You can also load effect plugins into the sampler, for them being
474     used on parts or as master effects. Currently only the LADSPA plugin
475     format is supported for sampler internal effects.
476     </p>
477    
478     <h2>Community</h2>
479     <p class="default">
480 schoenebeck 1770 You need a helping hand? You certainly get the answers on your
481     personal questions on our
482 schoenebeck 1856 <a href="http://bb.linuxsampler.org/">web forum</a>.<br>
483 schoenebeck 1770 <br>
484 schoenebeck 1610 All applications are under active development. However we all work
485     on this project for fun in our spare time. There are still so many
486     things to do and our hands are limited. So don't hesitate on
487     participating to the project! You don't necessarily need to be a
488     skilled programmer to help the project. Testing the applications,
489     <a href="http://bugs.linuxsampler.org.">reporting bugs</a>, writing
490     documentation, providing artwork, themes for frontends, etc. helps
491     us and all users a lot! Simply subscribe to our
492     <a href="http://lists.sourceforge.net/lists/listinfo/linuxsampler-devel">
493 schoenebeck 1770 developers mailing list
494 schoenebeck 1610 </a> and we'll of course take you by the hand in case you want to
495     participate with active source code development. Don't be afraid!
496     You have your own ideas and concepts for making the sampler better?
497     Great, share them with us!<br>
498     <br>
499 schoenebeck 2514 <br>
500 schoenebeck 1610 </p>
501    
502 senoner 542 </div>
503     </td></tr></table>
504    
505     </div>
506    
507     </body>
508     </html>

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