129 |
</p> |
</p> |
130 |
|
|
131 |
<ol class="default"> |
<ol class="default"> |
132 |
<li class="partly">strong synthesis optimizations</li> |
<li class="false">nothing scheduled yet</li> |
|
<li class="false">instrument database system</li> |
|
133 |
</ol> |
</ol> |
134 |
|
|
135 |
<table class="default"> |
<table class="default"> |
171 |
<li class="partly">Gig v3 format |
<li class="partly">Gig v3 format |
172 |
<ol> |
<ol> |
173 |
<li class="partly">large file support (64 bit file offsets are currently truncated to 32 bit)</li> |
<li class="partly">large file support (64 bit file offsets are currently truncated to 32 bit)</li> |
174 |
<li class="partly">24 bit samples (currently truncated to 16 bit), uncompressed as well as compressed</li> |
<li class="ok">24 bit samples (uncompressed as well as compressed)</li> |
175 |
<li class="ok">support for multi-file format (.gig, .gx01, .gx02, ...)</li> |
<li class="ok">support for multi-file format (.gig, .gx01, .gx02, ...)</li> |
176 |
|
<li class="partly">support for articulation (.art) files</li> |
177 |
<li class="ok">support for Dimension Splits not equal to two</li> |
<li class="ok">support for Dimension Splits not equal to two</li> |
178 |
<li class="ok">up to 8 Dimensions or 256 Dimension Regions</li> |
<li class="ok">up to 8 Dimensions or 256 Dimension Regions</li> |
179 |
</ol> |
</ol> |
180 |
</li> |
</li> |
181 |
</ol> |
</ol> |
182 |
</li> |
</li> |
183 |
<li class="ok">Generic playback (RAM & disk streaming)</li> |
<li class="ok">Generic playback (RAM playback & disk streaming)</li> |
184 |
<li class="ok">Dimension switching |
<li class="ok">Dimension switching |
185 |
<ol> |
<ol> |
186 |
<li class="ok">Sample Channel</li> |
<li class="ok">Sample Channel</li> |
207 |
<li class="ok">Sustain pedal interpretation</li> |
<li class="ok">Sustain pedal interpretation</li> |
208 |
<li class="ok">Sostenuto pedal interpretation</li> |
<li class="ok">Sostenuto pedal interpretation</li> |
209 |
<li class="ok">Key velocity <-> volume mapping</li> |
<li class="ok">Key velocity <-> volume mapping</li> |
210 |
<li class="ok">Looping</li> |
<li class="ok">Looping |
211 |
|
<ol> |
212 |
|
<li class="ok">endless loop</li> |
213 |
|
<li class="ok">limited amount of loops</li> |
214 |
|
<li class="ok">fractional looping</li> |
215 |
|
</ol> |
216 |
|
</li> |
217 |
<li class="ok">Pitchbend wheel support</li> |
<li class="ok">Pitchbend wheel support</li> |
218 |
<li class="ok">Bidirectional voice state transition</li> |
<li class="ok">Bidirectional voice state transition, allowing |
219 |
|
to cancel the relase stage of voices forth and back arbitrary |
220 |
|
times if needed</li> |
221 |
<li class="ok">Filter (VCF) |
<li class="ok">Filter (VCF) |
222 |
<ol> |
<ol> |
223 |
<li class="ok">Highpass</li> |
<li class="ok">Highpass</li> |
225 |
<li class="ok">Bandreject</li> |
<li class="ok">Bandreject</li> |
226 |
<li class="ok">Lowpass</li> |
<li class="ok">Lowpass</li> |
227 |
<li class="ok">Turbo lowpass</li> |
<li class="ok">Turbo lowpass</li> |
228 |
|
<li class="ok">all filter types provide extremely |
229 |
|
accurate characteristics compared to the original |
230 |
|
Gigasampler format filters</li> |
231 |
<li class="ok">Cutoff frequency controllable by MIDI controller</li> |
<li class="ok">Cutoff frequency controllable by MIDI controller</li> |
232 |
<li class="ok">Resonance controllable by MIDI controller</li> |
<li class="ok">Resonance controllable by MIDI controller</li> |
233 |
</ol> |
</ol> |
240 |
<li class="ok">VCO Low Frequency Oscillator (Pitch)</li> |
<li class="ok">VCO Low Frequency Oscillator (Pitch)</li> |
241 |
<li class="ok">Layers</li> |
<li class="ok">Layers</li> |
242 |
<li class="ok">Crossfades</li> |
<li class="ok">Crossfades</li> |
243 |
<li class="ok">Key Groups (a.k.a Exclusive Groups)</li> |
<li class="ok">Key Groups (a.k.a Exclusive Groups), |
244 |
<li class="ok">Release Triggered Voices</li> |
for mutually switching off sounds i.e. for drumkits</li> |
245 |
<li class="ok">Key Switching</li> |
<li class="ok">Release Triggered Voices, specific samples |
246 |
|
that are played back when voices are released</li> |
247 |
|
<li class="ok">Key Switching, which allows to map a certain |
248 |
|
range on thy keyboard as additional performance controller, |
249 |
|
i.e. for switching articulations of orchestral sounds in realtime</li> |
250 |
<li class="ok">Voice Stealing</li> |
<li class="ok">Voice Stealing</li> |
251 |
<li class="ok">Portamento Mode and Solo Mode (a.k.a 'Mono Mode', |
<li class="ok">Portamento Mode and Solo Mode (a.k.a 'Mono Mode', |
252 |
can be altered via standard GM messages, that is CC5 for |
can be altered via standard GM messages, that is CC5 for |
310 |
<li class="false">Dynamic engine recompilation</li> |
<li class="false">Dynamic engine recompilation</li> |
311 |
<li class="false">Extensive SMP (multi processor) support</li> |
<li class="false">Extensive SMP (multi processor) support</li> |
312 |
<li class="false">Network cluster support</li> |
<li class="false">Network cluster support</li> |
313 |
|
<li class="ok">MIDI instrument mapper, allows to create very flexible MIDI progam change setups in a very easy way. |
314 |
|
<ol> |
315 |
|
<li class="ok">MIDI program change</li> |
316 |
|
<li class="ok">MIDI bank select (automatic detection of MSB only, LSB only or full MSB+LSB)</li> |
317 |
|
<li class="ok">Load Strategy for each Item individually |
318 |
|
<ol> |
319 |
|
<li class="ok">On-Demand: loads the instrument only when needed, frees it immediately once not used by any sampler channel anymore</li> |
320 |
|
<li class="ok">On-Demand-Hold: loads the instrument when needed and keeps it in memory, that is even if not used by a sampler channel</li> |
321 |
|
<li class="ok">Persistent: loads the instrument immediately in the background (i.e. at sampler startup), allowing immediate program changes in realtime even of largest instruments, without wait time</li> |
322 |
|
<li class="ok">Default: let the sampler decide</li> |
323 |
|
</ol> |
324 |
|
</li> |
325 |
|
<li class="ok">Volume Factor for each Item, allowing to compensate the volume difference of sample library collections i.e. for live performances, without having to edit the instrument files</li> |
326 |
|
<li class="ok">Mapping of arbitrary Instrument Files, already independent of the underlying format in respect for future sampler engines</li> |
327 |
|
<li class="ok">arbitrary amount of independent MIDI instrumet maps, (i.e. for chromatic instruments, drumkits, ...), each sampler channel can be assigned to a specific MIDI map</li> |
328 |
|
</ol> |
329 |
|
</li> |
330 |
|
<li class="ok">Effect Sends |
331 |
|
<ol> |
332 |
|
<li class="ok">Arbitrary Amount of FX Sends on Sampler Channels</li> |
333 |
|
<li class="ok">Realtime MIDI Control of Send Level</li> |
334 |
|
<li class="ok">Arbitrary MIDI Controller assignable</li> |
335 |
|
<li class="ok">Flexible Routing i.e. to a dedicated effect audio output</li> |
336 |
|
</ol> |
337 |
|
</li> |
338 |
|
<li class="ok">Instrument Database System, allowing to keep track of even the largest sample library collections |
339 |
|
<ol> |
340 |
|
<li class="ok">Ordering in Categories</li> |
341 |
|
<li class="ok">Search by various Criteria</li> |
342 |
|
<li class="ok">Transparently maintained on backend side</li> |
343 |
|
</ol> |
344 |
|
</li> |
345 |
<li class="partly">(Graphical) frontends |
<li class="partly">(Graphical) frontends |
346 |
<ol> |
<ol> |
347 |
<li class="ok">Qt based frontend (<a href="http://qsampler.sourceforge.net">QSampler</a>)</li> |
<li class="ok">Qt based frontend (<a href="http://qsampler.sourceforge.net">QSampler</a>)</li> |
349 |
<li class="false">VSTi frontend (based on the Qt frontend)</li> |
<li class="false">VSTi frontend (based on the Qt frontend)</li> |
350 |
</ol> |
</ol> |
351 |
</li> |
</li> |
352 |
|
<li class="ok">Playing while Loading, i.e. allowing to play and hold notes on the keyboard |
353 |
|
while loading a new instrument on the same sampler channel at the same time</li> |
354 |
|
<li class="ok">Instrument Editor Plugin System for 3rd Party Instrument Editors</li> |
355 |
|
<li class="ok">Instrument Editors |
356 |
|
<ol> |
357 |
|
<li class="ok"><a href="http://download.linuxsampler.org/doc/gigedit/quickstart/gigedit_quickstart.html">gigedit</a> (based on the Gtk+ Toolkit) |
358 |
|
<ol> |
359 |
|
<li class="ok">allows to modify all aspects of Gigsampler v2 and v3 format files</li> |
360 |
|
<li class="ok">allows to modify existing as well as creating completely new .gig files from scratch</li> |
361 |
|
<li class="ok">stand-alone mode (independent of LinuxSampler)</li> |
362 |
|
<li class="ok">live-mode (attached with LinuxSampler), which makes all modifications audible in the sampler in realtime without having to reload</li> |
363 |
|
<li class="ok">created / modified files are accepted by LinuxSampler as well as by Gigastudio 3</li> |
364 |
|
</ol> |
365 |
|
</li> |
366 |
|
</ol> |
367 |
|
</li> |
368 |
</ol> |
</ol> |
369 |
|
|
370 |
<hr> |
<hr> |
380 |
</p> |
</p> |
381 |
|
|
382 |
<p> |
<p> |
383 |
(Last page update on <b>$Date: 2006-07-18 09:37:51 $</b> by $Author: schoenebeck $, |
(Last page update on <b>$Date: 2007-11-20 02:27:46 $</b> by $Author: schoenebeck $, |
384 |
also see <a href="http://www.linuxsampler.org">CVS Log</a> for recent changes) |
also see <a href="http://www.linuxsampler.org">CVS Log</a> for recent changes) |
385 |
</p> |
</p> |
386 |
|
|