release_notes/linuxsampler_2_0_0/01_linuxsampler_2_0_0.html

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    <meta name="author" content="Christian Schoenebeck">
    <title>Release Notes LinuxSampler 2.0.0</title>
    <navpath>LinuxSampler 2.0.0</navpath>
    <meta name="description" content="Release notes for LinuxSampler 2.0.0.">
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    <h1>LinuxSampler 2.0.0</h1>
    <p>
      Unbelievable six years have passed since the last release of LinuxSampler.
      A load of things have changed in silence, which I want to summarize for
      you in this article.
    </p>

    <h3>New Sampler Engines</h3>
    <p>
      The sampler's code base has seen substantial changes during that long
      period. The sampler engine code base has been unified to a set of common,
      abstract base classes which cleared the way for two new sampler engines:
      <ol>
        <li>The <b>SFZ2</b> format engine (.sfz).</li>
        <li>The <b>SoundFont 2</b> format engine (.sf2).</li>
      </ol>
      So LinuxSampler is not limited to just the GigaStudio/Gigasampler format
      (.gig) anymore.
    </p>

    <h3>Real-Time Instrument Scripts</h3>
    <p>
      Another major new feature is the brand new support for so called
      <i>Real-Time Instrument Scripts</i>, which are small programs that may be
      bundled with sound files to extend the sampler with custom behavior for
      individual sounds. You may know such instrument scripts from commercial
      software samplers. At the moment this scripting feature is yet limited to
      the Giga format engine. <a href="instrument_scripts.html">Find out more ...</a>
    </p>
    <img src="../../gigedit/scripts/gigedit_script_editor.png" caption="NKSP Instrument Script Editor of Gigedit">

    <h3>LSCP Shell</h3>
    <p>
      Also noteworthy is the new command line application <i>lscp</i>, which is
      a text based shell for controlling the sampler from the command line,
      providing colored output, type completion, help text while typing LSCP
      commands and other convenient features for terminal enthusiasts who want
      to use the sampler without GUI frontend applications.
      <a href="lscp_shell.html">Find out more ...</a>
    </p>
    <img src="../../lscp_shell/lscp_shell.png" caption="LSCP Shell">

    <h3>Internal Effects &amp; Extensions to LSCP</h3>
    <p>
      You may now also load external effects directly into the sampler. The
      <a href="http://www.linuxsampler.org/api/draft-linuxsampler-protocol.html">LSCP network protocol</a>
      (<a href="http://www.linuxsampler.org/api/lscp-1.7.html">v1.7</a>) has
      been extended to manage such effects respectively. Effect chains may be
      built, and the individual sampler parts may be routed to an individual
      position of effect chains. At this point only LADSPA plugins are supported
      yet. However the sampler's effect subsystem uses an abstract interface,
      which allows easy integration of other effect systems. Also new with
      latest LSCP version is the ability to trigger MIDI CCs by LSCP command.
    </p>

    <h3>New GigaStudio format features</h3>
    <p>
      <img src="gigedit_imidi_rules.png" caption="MIDI rules editing with Gigedit">
      You may have heard that the GigaStudio software has seen its last version
      with GigaStudio 4. Tascam officially discontinued this product, its
      intellectual property has been sold several times among companies and
      there is currently no way to buy a new copy of GigaStudio anymore. However
      the GigaStudio format is still under active development with LinuxSampler.
      We not only added support for the latest features introduced with
      GigaStudio 4: iMIDI rules for example which allow to trigger notes by
      MIDI CC and allow i.e. defining a set of legato samples; for the first
      time ever we also added our own extensions to the Giga format: one of it
      is the previously mentioned new instrument scripting feature and a more
      minor extension is support for various other MIDI CCs which were never
      supported by GigaStudio before. So you can now use any MIDI CC for EG1
      controller, EG2 controller and attenuation controller.
    </p>

    <h3>DAW Plugin Enhancements</h3>
    <p>
      The sampler's host plugins have also seen some enhancements: the LV2
      plugin now stores and restores the sampler's overall state with the song
      of your DAW application, the LV2 and AudioUnit plugin's outputs
      were increased from 2 audio channels to 16 upon request by some users and
      the VST plugin now uses the sampler's MIDI instrument mapping system to
      show a list of available sounds to allow the user to switch among them.
      And last but not least the VST plugin may also be used on Mac now.
    </p>

    <h2>Gigedit 1.0.0</h2>
    <p>
     <img src="gigedit_format_extension_warnings.png" caption="Suppress warnings about custom Giga format extensions">
      Also <i>Gigedit</i>, our instrument editor for the GigaStudio/Gigasampler
      format, had been enhanced quite a lot during the last six years. As
      mentioned above, we introduced our own extensions to the Giga format.
      Obviously all those extensions will not work with any GigaStudio version,
      they only work with a recent version of Gigedit and LinuxSampler. Gigedit
      will inform you whenever you are using such kind of custom Giga format
      extension, so that you are always aware in case your changes to sounds are
      not cross/backward compatible with the GigaStudio software. You may also
      disable those warnings on the settings menu.
    </p>

    <h3>Multi-Selection of Dimension Zones</h3>
    <p>
      Until now you were only able to edit either exactly
      one dimension region or all dimension regions simultaneously with gigedit. With this
      release you may now hold the Ctrl button and select a specific set of
      dimension region zones in the dimension region selector area (on the very
      bottom of the Gigedit window) with your mouse. All synthesis parameters you
      then change, will all be applied to that precise set of dimension region
      zones.
    </p>
    <img src="gigedit_multi_zone_selection.png" caption="Multi-zone selection with Ctrl key">

    <h3>Improvements to Dimension Management</h3>
    <p>
      Also managing dimensions have been improved: previously to change the
      amount of zones of a dimension you had to delete and recreate the
      dimension. Which was not just inconvenient, but you also had to redefine
      your synthesis parameters from scratch. Now you can just open the
      dimension manager dialog and increase or decrease the amount of zones of
      a dimension with few clicks. Same applies to the dimension type: you may
      now simply open the dimension manager dialog and alter the type of a
      dimension with few clicks.
    </p>

    <h3>Monitoring Sample References</h3>
    <p>
      <img src="gigedit_sample_references.png" caption="Show all references of selected sample">
      When working on complex Giga sounds you certainly noticed that one could
      easily get lost about which samples are exactly used by which
      instrument or even whether a sample is actually used at all by any
      instrument or just left orphaned and wasting disk space. This was also due
      to the fact that the Giga format does not require unique names for
      samples. We have worked on resolving this usability issue. In the samples
      list view you can now read the amount of times a sample is referenced by
      instruments of your .gig file. If a sample is not used at all, then it
      will be shown in striking red color in the sample list view. You may also
      right click on a sample and select "Show references...", a new
      window appears on your screen which will show you where exactly that
      particular sample is used by, that is by which instruments and by which
      regions of those instruments. Also the other way around has been
      addressed: when you now edit the synthesis parameters of a particular
      dimension region, you may now click on the new "&lt;- Select Sample"
      button and Gigedit automatically selects and displays the respective sample
      in the samples list view, which you may then might rename to some more
      appropriate sample name, or you might check by which other instrument(s)
      that sample is used by, etc.
    </p>
    <img src="gigedit_go_to_sample.png" caption="Find and select used sample">

    <h3>Silent Cases</h3>
    <p>
      <img src="gigedit_null_sample.png" caption="Create a silent case">
      You may now also remove the current sample reference from individual
      dimension regions (assigning a so called "NULL" sample instead) by clicking on
      the new "X" button next the sample reference field on the "Sample" tab
      of a dimension region; this allows you to define "silent cases", that
      is a case where no sample should be played at all, for example this is
      often used for very low velocity ranges of i.e. between 0 and 6.
    </p>

    <h3>Reordering Instruments</h3>
    <p>
      <img src="gigedit_reorder_instruments.png" caption="Re-order instruments with drag &amp; drop">
      If you are working on .gig files with a large amount of Instruments, then
      you might also be glad to know that you can finally also re-order the
      instruments of a file by simply dragging the instruments around in the
      instruments list view.
    </p>

    <h3>Combine Tool</h3>
    <p>
      <img src="gigedit_combine_tool.png" caption="Combine Tool">
      Another handy new feature for sound designers is the new "Combine" tool,
      which you can reach from the main menu. It allows you to select two ore
      more instruments (by holding down the Ctrl key while selecting with mouse
      click) from your currently open Giga file and combine those selected
      instruments to a new instrument. This way you may for example create
      stunning layered sounds, or you may create velocity splits, crossfade
      sounds by MIDI controller and much more, all with just a few clicks. This
      may sound like a trivial task, but if you have worked on this before, you
      certainly noticed that this was often a very time consuming and error
      prone task before, especially with complex individual sounds which had
      custom region ranges, custom velocity splits and much more exotic stuff
      to take care of. The combine tool handles all such cases for you
      automatically.
    </p>

    <h3>Improved Interaction with LinuxSampler</h3>
    <p>
      Last but not least, the interaction of Gigedit with LinuxSampler (in so
      called "live mode") had been improved: When you click on the "Edit"
      button of a channel strip in QSampler or Fantasia, Gigedit will be
      launched with the respective instrument automatically being selected.
      Vice versa you may now also just select another instrument with Gigedit's
      instrument list view and LinuxSampler will automatically load and play
      that instrument on the respective sampler part for you. So no more need
      to switch between the Gigedit window and QSampler/Fantasia window all the
      time while working on your sounds.
    </p>

    <h2>QSampler 0.3.0</h2>
    <p>
      As new sampler formats made it into LinuxSampler, this was also addressed
      with QSampler. The sound selection dialog now also enumerates the sounds
      of a selected SoundFont file. And to ease switching between sounds, you
      may now click on the name of the current instrument of a channel strip,
      a list will popup that alows you to quickly switch to another sound,
      without having to open the channel strip's detailed part dialog.
    </p>

    <h3>Suppressing Error Popups</h3>
    <p>
      In the past, error message dialogs frequently popped up on the screen.
      Most of them were just telling unuseful messages, even if the overall
      operation with the sampler was working correctly. There is now an "ignore"
      check box attached to those error message dialogs, which allow you to
      suppress most of the annoying error messages.
    </p>

    <h3>Improved Mac Support</h3>
    <p>
      Recently we created a convenient installer for Mac OS X, which
      conveniently installs all our software components on your Mac. So that
      includes the stand-alone version of the LinuxSampler backend, VST and
      AudioUnit plugin version of the sampler, "Fantasia" and "QSampler" frontends,
      our instrument editor "Gigedit", the LSCP shell and various other command
      line tools. You may also choose only some of them to be installed.
    </p>
    <p>
      Using the sampler has also been improved on Mac. Before you first had to
      launch the LinuxSampler backend separately and then launch QSampler.
      Sometimes the sampler backend even had to be killed explicitly. Now
      you can just click on the QSampler icon and it will automatically spawn
      the sampler backend for you and shows its output on QSampler's integrated
      terminal section. When you quit QSampler, it will also stop the sampler backend
      for you automatically (you may tell QSampler to keep the sampler running in the background).
    </p>

    <h2>libgig 4.0.0</h2>
    <p>
      Our fundamental file access C++ library
      <a href="http://download.linuxsampler.org/doc/libgig/api/">libgig</a>
      is now more than just a supporter of the GigaStudio/Gigasampler file
      format. New file formats have been added and are now bundled with libgig:
      <ol>
        <li>
          <a href="http://download.linuxsampler.org/doc/libgig/api/namespaceKorg.html">
            Classes for KORG's sample based instrument files
          </a> (.KSF, .KMP).
        </li>
        <li>
          <a href="http://download.linuxsampler.org/doc/libgig/api/namespacesf2.html">
            Classes for SoundFont v2 files
          </a> (.sf2).
        </li>
        <li>
          <a href="http://download.linuxsampler.org/doc/libgig/api/classResource.html">
            Classes for AKAI sampler data.
          </a>
        </li>
      </ol>
      Various command line tools have been added to libgig, which allow to
      dump, correct, extract and convert sounds between those various file formats.
      Refer to the individual <i>man pages</i> for details about how to use
      those new command line tools. As you can see, the ground had been prepared
      for further new sampler engines with LinuxSampler to come.
    </p>

  </body>
</html>
1	<html>
2	<head>
3	<meta name="author" content="Christian Schoenebeck">
4	<title>Release Notes LinuxSampler 2.0.0</title>
5	<navpath>LinuxSampler 2.0.0</navpath>
6	<meta name="description" content="Release notes for LinuxSampler 2.0.0.">
7	<link rel="stylesheet" href="http://doc.linuxsampler.org/css/preview.css">
8	<script type="text/javascript" src="http://doc.linuxsampler.org/js/preview.js"></script>
9	</head>
10	<body>
11	<h1>LinuxSampler 2.0.0</h1>
12	<p>
13	Unbelievable six years have passed since the last release of LinuxSampler.
14	A load of things have changed in silence, which I want to summarize for
15	you in this article.
16	</p>
17
18	<h3>New Sampler Engines</h3>
19	<p>
20	The sampler's code base has seen substantial changes during that long
21	period. The sampler engine code base has been unified to a set of common,
22	abstract base classes which cleared the way for two new sampler engines:
23	<ol>
24	<li>The <b>SFZ2</b> format engine (.sfz).</li>
25	<li>The <b>SoundFont 2</b> format engine (.sf2).</li>
26	</ol>
27	So LinuxSampler is not limited to just the GigaStudio/Gigasampler format
28	(.gig) anymore.
29	</p>
30
31	<h3>Real-Time Instrument Scripts</h3>
32	<p>
33	Another major new feature is the brand new support for so called
34	<i>Real-Time Instrument Scripts</i>, which are small programs that may be
35	bundled with sound files to extend the sampler with custom behavior for
36	individual sounds. You may know such instrument scripts from commercial
37	software samplers. At the moment this scripting feature is yet limited to
38	the Giga format engine. <a href="instrument_scripts.html">Find out more ...</a>
39	</p>
40	<img src="../../gigedit/scripts/gigedit_script_editor.png" caption="NKSP Instrument Script Editor of Gigedit">
41
42	<h3>LSCP Shell</h3>
43	<p>
44	Also noteworthy is the new command line application <i>lscp</i>, which is
45	a text based shell for controlling the sampler from the command line,
46	providing colored output, type completion, help text while typing LSCP
47	commands and other convenient features for terminal enthusiasts who want
48	to use the sampler without GUI frontend applications.
49	<a href="lscp_shell.html">Find out more ...</a>
50	</p>
51	<img src="../../lscp_shell/lscp_shell.png" caption="LSCP Shell">
52
53	<h3>Internal Effects & Extensions to LSCP</h3>
54	<p>
55	You may now also load external effects directly into the sampler. The
56	<a href="http://www.linuxsampler.org/api/draft-linuxsampler-protocol.html">LSCP network protocol</a>
57	(<a href="http://www.linuxsampler.org/api/lscp-1.7.html">v1.7</a>) has
58	been extended to manage such effects respectively. Effect chains may be
59	built, and the individual sampler parts may be routed to an individual
60	position of effect chains. At this point only LADSPA plugins are supported
61	yet. However the sampler's effect subsystem uses an abstract interface,
62	which allows easy integration of other effect systems. Also new with
63	latest LSCP version is the ability to trigger MIDI CCs by LSCP command.
64	</p>
65
66	<h3>New GigaStudio format features</h3>
67	<p>
68	<img src="gigedit_imidi_rules.png" caption="MIDI rules editing with Gigedit">
69	You may have heard that the GigaStudio software has seen its last version
70	with GigaStudio 4. Tascam officially discontinued this product, its
71	intellectual property has been sold several times among companies and
72	there is currently no way to buy a new copy of GigaStudio anymore. However
73	the GigaStudio format is still under active development with LinuxSampler.
74	We not only added support for the latest features introduced with
75	GigaStudio 4: iMIDI rules for example which allow to trigger notes by
76	MIDI CC and allow i.e. defining a set of legato samples; for the first
77	time ever we also added our own extensions to the Giga format: one of it
78	is the previously mentioned new instrument scripting feature and a more
79	minor extension is support for various other MIDI CCs which were never
80	supported by GigaStudio before. So you can now use any MIDI CC for EG1
81	controller, EG2 controller and attenuation controller.
82	</p>
83
84	<h3>DAW Plugin Enhancements</h3>
85	<p>
86	The sampler's host plugins have also seen some enhancements: the LV2
87	plugin now stores and restores the sampler's overall state with the song
88	of your DAW application, the LV2 and AudioUnit plugin's outputs
89	were increased from 2 audio channels to 16 upon request by some users and
90	the VST plugin now uses the sampler's MIDI instrument mapping system to
91	show a list of available sounds to allow the user to switch among them.
92	And last but not least the VST plugin may also be used on Mac now.
93	</p>
94
95	<h2>Gigedit 1.0.0</h2>
96	<p>
97	<img src="gigedit_format_extension_warnings.png" caption="Suppress warnings about custom Giga format extensions">
98	Also <i>Gigedit</i>, our instrument editor for the GigaStudio/Gigasampler
99	format, had been enhanced quite a lot during the last six years. As
100	mentioned above, we introduced our own extensions to the Giga format.
101	Obviously all those extensions will not work with any GigaStudio version,
102	they only work with a recent version of Gigedit and LinuxSampler. Gigedit
103	will inform you whenever you are using such kind of custom Giga format
104	extension, so that you are always aware in case your changes to sounds are
105	not cross/backward compatible with the GigaStudio software. You may also
106	disable those warnings on the settings menu.
107	</p>
108
109	<h3>Multi-Selection of Dimension Zones</h3>
110	<p>
111	Until now you were only able to edit either exactly
112	one dimension region or all dimension regions simultaneously with gigedit. With this
113	release you may now hold the Ctrl button and select a specific set of
114	dimension region zones in the dimension region selector area (on the very
115	bottom of the Gigedit window) with your mouse. All synthesis parameters you
116	then change, will all be applied to that precise set of dimension region
117	zones.
118	</p>
119	<img src="gigedit_multi_zone_selection.png" caption="Multi-zone selection with Ctrl key">
120
121	<h3>Improvements to Dimension Management</h3>
122	<p>
123	Also managing dimensions have been improved: previously to change the
124	amount of zones of a dimension you had to delete and recreate the
125	dimension. Which was not just inconvenient, but you also had to redefine
126	your synthesis parameters from scratch. Now you can just open the
127	dimension manager dialog and increase or decrease the amount of zones of
128	a dimension with few clicks. Same applies to the dimension type: you may
129	now simply open the dimension manager dialog and alter the type of a
130	dimension with few clicks.
131	</p>
132
133	<h3>Monitoring Sample References</h3>
134	<p>
135	<img src="gigedit_sample_references.png" caption="Show all references of selected sample">
136	When working on complex Giga sounds you certainly noticed that one could
137	easily get lost about which samples are exactly used by which
138	instrument or even whether a sample is actually used at all by any
139	instrument or just left orphaned and wasting disk space. This was also due
140	to the fact that the Giga format does not require unique names for
141	samples. We have worked on resolving this usability issue. In the samples
142	list view you can now read the amount of times a sample is referenced by
143	instruments of your .gig file. If a sample is not used at all, then it
144	will be shown in striking red color in the sample list view. You may also
145	right click on a sample and select "Show references...", a new
146	window appears on your screen which will show you where exactly that
147	particular sample is used by, that is by which instruments and by which
148	regions of those instruments. Also the other way around has been
149	addressed: when you now edit the synthesis parameters of a particular
150	dimension region, you may now click on the new "<- Select Sample"
151	button and Gigedit automatically selects and displays the respective sample
152	in the samples list view, which you may then might rename to some more
153	appropriate sample name, or you might check by which other instrument(s)
154	that sample is used by, etc.
155	</p>
156	<img src="gigedit_go_to_sample.png" caption="Find and select used sample">
157
158	<h3>Silent Cases</h3>
159	<p>
160	<img src="gigedit_null_sample.png" caption="Create a silent case">
161	You may now also remove the current sample reference from individual
162	dimension regions (assigning a so called "NULL" sample instead) by clicking on
163	the new "X" button next the sample reference field on the "Sample" tab
164	of a dimension region; this allows you to define "silent cases", that
165	is a case where no sample should be played at all, for example this is
166	often used for very low velocity ranges of i.e. between 0 and 6.
167	</p>
168
169	<h3>Reordering Instruments</h3>
170	<p>
171	<img src="gigedit_reorder_instruments.png" caption="Re-order instruments with drag & drop">
172	If you are working on .gig files with a large amount of Instruments, then
173	you might also be glad to know that you can finally also re-order the
174	instruments of a file by simply dragging the instruments around in the
175	instruments list view.
176	</p>
177
178	<h3>Combine Tool</h3>
179	<p>
180	<img src="gigedit_combine_tool.png" caption="Combine Tool">
181	Another handy new feature for sound designers is the new "Combine" tool,
182	which you can reach from the main menu. It allows you to select two ore
183	more instruments (by holding down the Ctrl key while selecting with mouse
184	click) from your currently open Giga file and combine those selected
185	instruments to a new instrument. This way you may for example create
186	stunning layered sounds, or you may create velocity splits, crossfade
187	sounds by MIDI controller and much more, all with just a few clicks. This
188	may sound like a trivial task, but if you have worked on this before, you
189	certainly noticed that this was often a very time consuming and error
190	prone task before, especially with complex individual sounds which had
191	custom region ranges, custom velocity splits and much more exotic stuff
192	to take care of. The combine tool handles all such cases for you
193	automatically.
194	</p>
195
196	<h3>Improved Interaction with LinuxSampler</h3>
197	<p>
198	Last but not least, the interaction of Gigedit with LinuxSampler (in so
199	called "live mode") had been improved: When you click on the "Edit"
200	button of a channel strip in QSampler or Fantasia, Gigedit will be
201	launched with the respective instrument automatically being selected.
202	Vice versa you may now also just select another instrument with Gigedit's
203	instrument list view and LinuxSampler will automatically load and play
204	that instrument on the respective sampler part for you. So no more need
205	to switch between the Gigedit window and QSampler/Fantasia window all the
206	time while working on your sounds.
207	</p>
208
209	<h2>QSampler 0.3.0</h2>
210	<p>
211	As new sampler formats made it into LinuxSampler, this was also addressed
212	with QSampler. The sound selection dialog now also enumerates the sounds
213	of a selected SoundFont file. And to ease switching between sounds, you
214	may now click on the name of the current instrument of a channel strip,
215	a list will popup that alows you to quickly switch to another sound,
216	without having to open the channel strip's detailed part dialog.
217	</p>
218
219	<h3>Suppressing Error Popups</h3>
220	<p>
221	In the past, error message dialogs frequently popped up on the screen.
222	Most of them were just telling unuseful messages, even if the overall
223	operation with the sampler was working correctly. There is now an "ignore"
224	check box attached to those error message dialogs, which allow you to
225	suppress most of the annoying error messages.
226	</p>
227
228	<h3>Improved Mac Support</h3>
229	<p>
230	Recently we created a convenient installer for Mac OS X, which
231	conveniently installs all our software components on your Mac. So that
232	includes the stand-alone version of the LinuxSampler backend, VST and
233	AudioUnit plugin version of the sampler, "Fantasia" and "QSampler" frontends,
234	our instrument editor "Gigedit", the LSCP shell and various other command
235	line tools. You may also choose only some of them to be installed.
236	</p>
237	<p>
238	Using the sampler has also been improved on Mac. Before you first had to
239	launch the LinuxSampler backend separately and then launch QSampler.
240	Sometimes the sampler backend even had to be killed explicitly. Now
241	you can just click on the QSampler icon and it will automatically spawn
242	the sampler backend for you and shows its output on QSampler's integrated
243	terminal section. When you quit QSampler, it will also stop the sampler backend
244	for you automatically (you may tell QSampler to keep the sampler running in the background).
245	</p>
246
247	<h2>libgig 4.0.0</h2>
248	<p>
249	Our fundamental file access C++ library
250	<a href="http://download.linuxsampler.org/doc/libgig/api/">libgig</a>
251	is now more than just a supporter of the GigaStudio/Gigasampler file
252	format. New file formats have been added and are now bundled with libgig:
253	<ol>
254	<li>
255	<a href="http://download.linuxsampler.org/doc/libgig/api/namespaceKorg.html">
256	Classes for KORG's sample based instrument files
257	</a> (.KSF, .KMP).
258	</li>
259	<li>
260	<a href="http://download.linuxsampler.org/doc/libgig/api/namespacesf2.html">
261	Classes for SoundFont v2 files
262	</a> (.sf2).
263	</li>
264	<li>
265	<a href="http://download.linuxsampler.org/doc/libgig/api/classResource.html">
266	Classes for AKAI sampler data.
267	</a>
268	</li>
269	</ol>
270	Various command line tools have been added to libgig, which allow to
271	dump, correct, extract and convert sounds between those various file formats.
272	Refer to the individual <i>man pages</i> for details about how to use
273	those new command line tools. As you can see, the ground had been prepared
274	for further new sampler engines with LinuxSampler to come.
275	</p>
276
277	</body>
278	</html>